
Epidemic Sound
Epidemic Sound is a subscription platform offering 55,000+ royalty-free tracks and 250,000+ sound effects under one direct worldwide license, plus AI soundtracking tools (Studio, Adapt, Assistant, Voices) for creators, freelancers, brands, agencies and broadcasters.
What is Epidemic Sound?
Epidemic Sound is a subscription soundtracking platform run by a Swedish company based in Stockholm. It was built around two problems at once: the tangle of music licensing for audiovisual work, and the difficulty artists face making a living from their music.
The answer is a direct license. Epidemic Sound owns 100% of the rights to its catalog, so a subscription includes every right you need, worldwide, with no performing rights organization to deal with, no cue sheets to file and no additional royalties on top. Anything published while the subscription is active stays covered forever; only content published after cancellation falls outside the license.
The catalog holds 55,000+ tracks and 250,000+ sound effects across close to 400 genres, with stems available.
Four AI tools sit on top of it. Studio is a video-to-audio tool: it analyses rhythm, scenes and action in an uploaded clip (MP4, MOV or WebM, 4 minutes and 600 MB maximum) and returns a synchronized soundtrack draft you then edit track by track. Adapt is a prompt-driven music editor working at stem level, on melody, instruments, bass and drums, with 15, 30 and 60-second presets or a free duration up to five minutes, metered by monthly credits. Assistant is conversational search built on Google Gemini, included in every subscription at no extra cost. Voices covers text-to-speech and speech-to-speech voice-over based on recordings from professional voice artists, plus voice replicas, across 35 listed languages. Soundproof completes the set, detecting unlicensed uses and resolving claims at source.
The company is explicit about where AI stops: Studio exclusively uses real music and sound effects from the Epidemic Sound catalog. All our music is made by human artists, and we do not offer any AI-generated music. AI serves curation and editing here, never generation. Artists receive 2,000 to 8,000 USD per track up front, a 50/50 split of streaming royalties, an annual bonus pool and compensation for AI uses.
Distribution is wide: web, iOS and Android apps, macOS and Windows desktop apps, Adobe plugins for Premiere Pro, After Effects and Audition, DaVinci Resolve Studio, a developer API and an MCP server. The company claims 3.5 billion daily online views and says 70% of the 200 largest YouTube channels use the catalog.
What it does
- Find a track or a sound effect in a catalog of 55,000 tracks and 250,000+ sound effects
- Generate a synchronized soundtrack draft from a video file with Studio
- Change the mood, instruments, structure and length of an existing track with Adapt
- Search the catalog in plain language through a conversational assistant
- Produce an AI voice-over, or a replica of your own voice, with Voices
- Publish and monetize without copyright claims thanks to the direct license
- Drop tracks straight into a timeline through the Adobe and DaVinci Resolve plugins
When to use Epidemic Sound / When not to
A quick filter to help you decide if Epidemic Sound is the right fit.
When to use Epidemic Sound
- Video creators publishing regularly on YouTube, TikTok, Instagram, Twitch or podcast platforms
- Freelancers and small studios delivering client work, who need the sub-licensing rights included in the Pro plan
- Brands, agencies, publishers and broadcasters covered by the Business and Enterprise plans
- Teams that want to avoid cue sheets, performing rights organizations and copyright claims altogether
- Editors working inside Premiere Pro or DaVinci Resolve, and developers wiring the catalog and audio search into their own products through the API
When not to use Epidemic Sound
- Anyone looking for music generated from scratch by AI: the platform explicitly rules it out
- Musicians who want to edit their own material, since Adapt works exclusively with music from the Epidemic Sound catalog
- Publishers, agencies and production companies above 5M USD a year, and companies above 10M USD, who are pushed to Enterprise
- Film, TV series and TV advertising projects, which fall outside the scope of the online plans
- Users who need permanently free music, and anyone wanting to use a track or a voice on its own, outside a video or audio production
How to use Epidemic Sound
A typical end-to-end flow, from setup to results.
- Create a free account: a free trial is offered and no payment card is required to sign up
- Browse by genre, theme, mood or tempo, or search by video, by description, by reference track, through Shazam or a Spotify link
- Describe the project, the scene or the atmosphere in plain language to Assistant
- For Studio, drop in an MP4, MOV or WebM file (4 minutes, 600 MB maximum) and get a synchronized draft, then adjust or replace each track
- For Adapt, start from a catalog track and prompt changes to instruments, mood, structure and length; editing is non-destructive and keeps multiple versions
- For Voices, pick a voice from the catalog or create a replica, type the text, then set language and speed
- Download the files, or use the Adobe and DaVinci Resolve plugins and the desktop app to drag and drop into the timeline
- Connect your social channels to the account so that everything you publish is covered
- Developers: request a free API key, then call the catalog and playlist endpoints, Soundmatch, semantic search and EAR find-similar
Pros & Cons
Pros
- Direct license with all rights included worldwide: no performing rights organization, no cue sheets, no additional royalties
- Content published during the subscription stays covered permanently, even after cancellation
- A broad AI toolset included in every plan with no per-tool add-on, and a free trial on all plans with no card required at sign-up
- Music played by human artists, with an explicit stance against AI-generated music
- Deep integration into editing workflows through the Adobe plugins, DaVinci Resolve Studio and the desktop apps
- Artist compensation published in figures: 2,000 to 8,000 USD per track up front, 50/50 streaming split, bonus pool and payment for AI uses
- Swedish company, so native GDPR footing, appointed DPO and European supervisory authority, backed by substantial legal documentation (DPA, AI acceptable use policy, Labs terms, enterprise AI addendum, accessibility)
Cons
- No permanently free plan: the site states it does not provide music or sound effects for free
- Amounts are not readable on the pricing page itself because of JavaScript rendering; the entry price only surfaces in the comparison table, and displayed prices depend on the country
- Restrictive eligibility thresholds: above 5M USD a year for publishers, agencies and production companies, and above 10M USD for companies, you are moved to Enterprise
- Film, TV series and TV advertising are excluded from the online plans
- Adapt and Voices run on capped monthly credits, and Personal plan users cannot buy top-ups
- User Input submitted to Adapt is used to train the tool, and the opt-out is explicitly open only to enterprise customers, who must also switch the AI tools on themselves
- Adapt never works on music you import yourself, no pro-rata refunds are granted on monthly or annual subscriptions, and the terms set no minimum age figure, deferring to local legal age
Pricing & Plans
Epidemic Sound operates on a subscription basis and offers no permanently free plan, the site stating that it does not provide music or sound effects for free. The lowest advertised entry point is 9.99 USD per month on an annual commitment; monthly and annual plans carry the same features, the annual option being the discounted one. A free trial is offered on the plans and no payment card is required to create an account. Enterprise pricing is bespoke, with a minimum twelve-month term. No refunds are granted on a pro-rata basis for monthly or annual subscriptions, and no royalties are payable on top of the subscription. Paid credit top-ups exist for Adapt and Voices but are unavailable on the Personal plan. On the developer side, a Free API tier at 0 USD per month allows prototyping (50 downloads maximum, without a commercial license), while the Scale and Enterprise tiers are quoted on request.
- publishing on your own channels
- one channel per platform
- monetization included
- 250
- 000 voice credits per month
- 1 voice replica
- digital advertising license
- client work with sub-licensing
- monetization across 3 channels per platform
- 250
- 000 voice credits per month
- 3 voice replicas
- everything in Pro
- up to 3 collaborator accounts
- content in games and apps
- internal and external events
- influencer licensing up to 10 times a month
- 250
- 000 voice credits per month
- 5 voice replicas
- for teams covering more channels and more screens
- multiple accounts
- TV and TV advertising rights
- Customer Success Manager and curation
- bespoke terms
- quote-based
- twelve-month minimum
- Pro and Business are reserved for brands under 10M USD annual revenue and for agencies
- publishers and production companies under 5M USD
- public organizations such as government bodies
- municipalities
- universities and associations are directed to Enterprise
- 0 USD per month
- prototyping only
- 50 downloads
- 1 seat
- no commercial license
- quote-based
- commercial license
- sub-licensing for end users
- unlimited seats
- quote-based
- custom license
- SLA
- Customer Success Manager
Data, GDPR & hosting
A consolidated view of how Epidemic Sound handles your data.
GDPR overview
GDPR implementation is concrete and documented. Epidemic Sound AB is established in Sweden, so the GDPR applies directly and no Article 27 representative is needed. A Data Protection Officer has been appointed and is reachable at dpo@epidemicsound.com. The privacy notice spells out the full set of rights: access, rectification, erasure, restriction, objection, portability, withdrawal of consent and complaint to a supervisory authority. It names the Swedish Authority for Privacy Protection (Integritetsskyddsmyndigheten) as the competent regulator. Rights are exercised through the support webform or by post. Transfers outside the EEA, to the USA and South Korea, rely on specific safeguards, standard contractual clauses being the most common. A Data Processing Addendum is published, aligned with the GDPR, the UK GDPR and the CCPA, listing subprocessors in Annex 1, with 30 days notice before any new one and a 14-day objection window.
Who owns the data?
Epidemic Sound AB (reg. no. 556781-0899, Västgötagatan 2, 118 27 Stockholm, Sweden) acts as data controller for account data, and has appointed a Data Protection Officer reachable at dpo@epidemicsound.com or by post marked Attn: DPO at the same address. Content ownership is split: you keep your intellectual property rights in the User Input you submit to Adapt, while Epidemic Sound owns the Licensed Works and the Adapted Licensed Works. The company states it owns 100% of the rights to its catalog, which is what makes the direct license possible. One exception: with the User Voice Model in Voices, you act as data controller and the Data Processing Addendum applies.
Reuse rights
Epidemic Sound collects account data (email, password, connected media channels, payment methods, name, age, company, address, country), technical data (IP address, device ID, operating system, browser, plugin path), transaction history and cookie data. It uses them to deliver the service, take payment, curate music, run personalized marketing and profiling, prevent fraud and meet legal obligations, relying on performance of the contract, legitimate interest and consent, the latter being withdrawable by writing to hello@epidemicsound.com. Data may be shared with other users of the same workspace, with public authorities, with an acquirer in a merger or sale, and with third-party services and connected APIs. Where an MCP or third-party LLM connection is used, account data may be transmitted and modified according to the requests made through that third party. On the AI side, User Input submitted to Adapt is used to train and improve Adapt, with an opt-out that enterprise customers may be able to exercise where Epidemic Sound makes such a feature available; the enterprise AI addendum states that User Input will not be used for training purposes other than as necessary to improve and personalize the results for the customer. In the other direction, the terms rule out any text and data mining of the catalog, so subscribers cannot reuse the content to train models of their own.
Data retention & training
Hosting summary
No hosting country is named as such in the privacy notice. What is declared is the transfer of personal data to group companies inside the EU/EEA and outside it, specifically the USA and South Korea, under specific safeguards, standard contractual clauses being the most common mechanism. The subprocessor list in Annex 1 of the Data Processing Addendum gives a sharper picture: Epidemic Sound subsidiaries in the EU/EEA, the United States, the United Kingdom and South Korea, Google Ireland LLC in the EU/EEA, Cartesia AI Inc. in the United States and Fastly Inc. in the United States. Delivery infrastructure runs on Fastly, on an anycast address resolving to 151.101.1.91. Jurisdiction is therefore Swedish and European for the controller, with a real operational footprint in the United States and South Korea. Buyers with strict data residency requirements should read Annex 1 before signing, bearing in mind that subprocessor changes are notified 30 days in advance with a 14-day objection window.
Things to keep in mind
Risks and trade-offs to weigh before adopting Epidemic Sound.
- Content published after the subscription ends is no longer covered: only what went out while the plan was active stays licensed for good
- Revenue thresholds push you off the online plans: above 5M USD a year for publishers, agencies and production companies, above 10M USD for companies, Enterprise becomes mandatory
- TV advertising, cinema and TV series fall outside the scope of the online plans
- Adapt and Voices are metered by monthly credits, and Personal plan users cannot buy top-ups
- Enterprise customers have to switch the AI tools on explicitly, so nothing is available by default
- User Input submitted to Adapt trains the tool, and the opt-out is explicitly open only to enterprise customers; in the other direction, the terms prohibit any text and data mining of the catalog and any model training on its content
- No pro-rata refunds are granted, Enterprise commits you for twelve months minimum, and displayed prices vary by country and are not readable outside a browser
Setup & Integrations
Technical difficulty
Low. Basic use requires no installation: everything happens in the browser, and creating an account is free with no payment card. Optional plugins are available for Adobe Creative Cloud and DaVinci Resolve Studio, alongside macOS and Windows desktop apps and iOS and Android mobile apps. The step most people forget is connecting social channels to the account so that publications are covered. API integration is self-service, with a free key, documented endpoints and an MCP server available, and sits at developer level rather than end-user level.
Deployment
Apps stores
Integrations
Supported languages
Behind Epidemic Sound
Fundraising
Social
Resources
All the official URLs gathered for verification and reference.
Alternatives
Tools that compete with or complement Epidemic Sound.
Frequently asked questions
Is the music really royalty-free?
What happens to my content if I cancel?
Is there a free plan?
Is the music generated by AI?
What is the difference between Adapt and Studio?
What are the upload limits in Studio?
How many languages does Voices support?
Can I use the music in advertising?
Is my data used to train the AI?
Is a Data Processing Addendum available, and is there an API?
Should you pick Epidemic Sound?
Epidemic Sound is best understood as the music layer of a video production chain rather than as a music generator. Its main strength is legal safety: because the company owns its entire catalog, the subscription carries a direct worldwide license, and everything published while the plan is active stays covered permanently. Its secondary strength is the AI layer, which is genuinely included rather than sold as add-ons, and which is aimed squarely at curation and editing: Studio for synchronized soundtrack drafts, Assistant for conversational search, Adapt for reshaping existing tracks, Voices for voice-over. The company is explicit that it does not offer AI-generated music, and pays its artists on published terms.
The reservations are just as clear. There is no permanently free plan, and the entry price of 9.99 USD per month only applies on an annual commitment, in a pricing page that does not display its own amounts reliably. Revenue thresholds are strict: above 5M USD a year for publishers, agencies and production companies, and above 10M USD for companies, you leave the online plans for Enterprise, where the commitment runs twelve months minimum. TV, cinema and TV advertising are out of scope entirely. And the User Input you feed to Adapt is used to train the tool, with an opt-out explicitly reserved for enterprise customers.
The practical verdict follows from usage volume. If you publish occasionally, the subscription is hard to justify. If you publish regularly and the risk of a copyright claim is real, the arithmetic reverses quickly: you are buying predictable rights clearance and a set of production tools in the same bill. Read the eligibility thresholds and the Adapt training clause before signing.
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